31209. “One night I went for a walk by the sea along the empty shore. It was not gay, but neither was it sad; it was- beautiful. The deep blue sky was flicked with clouds of a blue deeper than the fundamental blue of intense cobalt, and others of a clearer blue, like the blue whiteness of the Milky Way. On the blue depth the stars were sparkling, greenish, yellow, white, rose, brighter, flashing more like jewels than they do even in Paris. The sea was a very deep ultramarine.” ― Vincent van Gogh, Dear Theo: The Autobiography of Vincent Van Gogh
31207. “the sun shines down upon us, the lucky ones…you’re the radiant autumn leaves, so bright and vibrant, so vivid and ablaze with warming colors…i am your reflection in the river, only just a bit darker, and hazy opaque, and slightly blurred, more cooled by the waters (but still burning for you)…but we’re complimentary mirrors to each other, such beautiful simplicity, two incomplete parts of the perfect whole, we are together one the same…one love in the glowing light” ― Bodhi Smith, Bodhi Smith Impressionist Photography
31203. “She wasn’t particularly artistic, but without thought she knew the combination that would get her the color she wanted. Last night she’d arrived at a rich royal made up of layered cobalt blue and indigo, and she knew exactly what it would taste like. Dry, but not bitter, with a bold apple finish. Not shy of what it was, but proud and majestic. Tonight the greens she sketched spoke to her of gentle whispers and a soft sweetness, with just a lilt of apple, but very refreshing.” ― Amy E. Reichert, The Simplicity of Cider
31202. “The stones had come from their orchard, unearthed when the first generation of Lunds began planting the orchard four generations ago. The stones varied in color and shape, from light gray limestone to rusty red granite, each highlighted by the golden light. Above the inset wooden mantel hung a huge collage of watercolor paintings, comprised of six-inch squares, each showcasing a different variety of apple grown in the orchard set against a distinguishing hue.” ― Amy E. Reichert, The Simplicity of Cider
31201. “It had withstood the years. His knife sliced it open and the cork was still intact beneath. For a moment the scent was so immediately pungent that all he could do was endure it, teeth clenched, as it worked its will on him. It smelled earthy and a little sour, like the canal in midsummer, with a sharpness which reminded him of the vegetable cutter and the gleeful tang of freshly dug potatoes. For a second the illusion was so strong that he was actually there in that vanished place with Joe leaning on his spade and the radio wedged in a fork in a tree. A sudden overwhelming excitement took hold of him and he poured a small quantity of the wine into a glass, trying not to spill the liquid in his eagerness. It was dusky pink, like papaya juice, and it seemed to climb the sides of the glass in a frenzy of anticipation, as if something inside it were alive and anxious to work its magic on his flesh.” ― Joanne Harris, Blackberry Wine
31198. “Yes! The rosy fingers of dawn had finally slipped through the fog and gently pulled it apart, separating the tendrils, weakening it. Wendy watched in fascination. She almost never saw the sunrise except in winter and that was through her window, under the gray sprawl of London Town. Nothing like this. As the sea lightened and the sky began to clear, the two elements resolved themselves into colors unlike anything she was used to: brilliant emerald and deep aquamarine, pellucid azure and shining lapis. It was so storybook perfect she wouldn’t have been surprised at all if the sun came out with a great smiley face drawn on it.” ― Liz Braswell, Straight On Till Morning
31196. “Lydia can’t see it from the dark place where she is, but she can sense it. She knows that it’s the perfect time of day out there in the desert. She imagines the colors making a show of themselves outside. The glittering gray pavement, the aching red land. The colors streaking flamboyantly across the sky. When she closes her eyes, she can see them, the paint in the firmament. Dazzling. Purple, yellow, orange, pink, and blue. She can see those perfect colors, hot and bright, a feathered headdress. Beneath, the landscape stretches out its arms.” ― Jeanine Cummins, American Dirt
31192. “We were lost then. And talking about dark! You think dark is just one color, but it ain’t. There’re five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don’t stay still. It moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.” ― Toni Morrison, Song of Solomon
31189. “Atmospheric dust billows in polychromed glitter above me, the vibrant, shimmering haze decorating the blue-blackness of space, and its luminous, variegated hues remind me of the one wish I made on countless stars—I wanted to live in a world of colors, where I could travel to bright and exotic places, where I could see and do magical things. Well, here I am in the most exotic of places, in a world of vivid radiance, with magic all around me. How was I to know the countless times I made that wish I should have specified that those places be free of evil monsters?” ― Garten Gevedon, Dorothy in the Land of Monsters
31182. “The voiceover promised a baker in Terre Haute, Indiana, who saw colors when he heard music, every note bringing with it a vivid shade on the color spectrum. There was a flutist in Hamburg, Germany, who experienced flavors as shapes and textures. Her favorite was white asparagus, which was a pleasing hexagonal form with smooth bumps all over its surface. There was a writer in Tuscaloosa, Alabama, who saw all her words in colors because each letter of the alphabet appeared to her in a different hue. According to the voiceover, the name of the writer’s hometown, with its preponderance of vowels, which were jewel tones of reds and oranges and pinks, was her favorite word.” ― Monique Truong, Bitter in the Mouth
31181. “He and Volnay are two shades of the same color, her deep auburn a complement to his brighter, brasher cinnamon. He has light hazel eyes, squished-up floppy ears, and a large square head atop a body that is built like a little tank. He looks a lot like a miniature orange mastiff. His paws are enormous. Not to mention some other obvious parts of his anatomy. This isn’t going to be some elegant little thirty-pound girl. This is a serious BOY dog. And he’s going to be HUGE. But he does have the advantage of being a puppy, and all puppies are adorable so that you don’t kill them. He’s curled up in Benji’s arms, licking his ear, and I can’t help it, he is pretty goddamned cute. I’m in real trouble.” ― Stacey Ballis, Out to Lunch
31180. “Anger, he smiles, towering in shiny metallic purple armor. Queen Jealousy Envy waits behind him—her fire green gown sneers at the grassy ground. Blue are the life-giving waters taken for granted, they quietly understand. Once-happy turquoise armies lay opposite ready, But wondering why the fight is on. But they’re all bold as love…just ask the Axis. Red, so confident, he flashes trophies of war and ribbons of euphoria. Orange is young, full of daring, But very unsteady for the first go-round. Yellow in this case is not so mellow, In fact, I’m trying to say, it’s frightened like me. And all these emotions of mine keeps holding me back from giving my life to rainbow you.” ― Jimi Hendrix, Cherokee Mist: The Lost Writings
31177. “She scanned the mess on the floor where several of the book’s pages were bent, and the glass of the frame had a single crack etched across it. Bending over, Helen picked up the picture. Through shades of black and white, her mother radiated up at her. When The Wizard of Oz had come out with color, everyone had been amazed, Helen included. But after the film, while the others talked about the munchkins’ hair and Emerald City and Glinda’s dress, Helen realized that the color made you see things. Black and white made you see souls.” ― Corinne Beenfield, The Ocean’s Daughter
31162. “You’re a Dark One,” said Anton. “All you see in everything is evil, treachery, trickery.” “All I do is not close my eyes to them,” Edgar retorted. “And that’s why I don’t trust Zabulon. I distrust him almost as much as I do Gesar. I can even trust you more—you’re just another unfortunate chess piece who happens by chance to be painted a different color from me. Does a white pawn hate a black one? No. Especially if the two pawns have their heads down together over a quiet beer or two.” “You know,” Anton said in a slightly surprised voice, “I just don’t understand how you can carry on living if you see the world like that. I’d just go and hang myself.” “So you don’t have any counterarguments to offer?” Anton took a gulp of beer too. The wonderful thing about this natural Czech beer was that even if you drank lots of it, it still didn’t make your head or your body feel heavy… Or was that an illusion? “Not a single one,” Anton admitted. “Right now, this very moment, not a single one. But I’m sure you’re wrong. It’s just difficult to argue about the colors of the rainbow with a blind man. There’s something missing in you… I don’t know what exactly. But it’s something very important, and without it you’re more helpless than a blind man.” ― Sergei Lukyanenko, Day Watch
31161. “The word itself has another color. It’s not a word with any resonance, although the e was once pronounced. There is only the bump now between b and l, the relief at the end, the whew. It hasn’t the sly turn which crimson takes halfway through, yellow’s deceptive jelly, or the rolled-down sound in brown. It hasn’t violet’s rapid sexual shudder or like a rough road the irregularity of ultramarine, the low puddle in mauve like a pancake covered in cream, the disapproving purse to pink, the assertive brevity of red, the whine of green.” ― William Gass
31157. “Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)” ― Tim Willocks, The Religion
31151. “والبنفسجي محير في شجونه الحزينة كشدو صالح عبد الحي له”ليه يابنفسج بتبهج وانت زهر حزين”فكأنه عليل وشغال مداوي،يبهج غيره ولا يقدر أن يمنح البهجة لروحه،وليس غريبا أن تجد هذا التناقض في لونه المازج بين الأزرق البارد،والأحمر الدافيء في ثنائية البحر والنار، فبينما تشعر فيه بدفء اللقاء إذا اقترب من درجة الأحمر، فقد تجده… في أوج حرارته قد تحول إلى الجفاء باقترابه من الأزرق..” ― حسن الحلوجي, أخضر بحواجب
31150. “We were all born to be peaceful citizens of the world. Take care of your global garden and do not allow evil gardeners to try and convince you which flowers are ugly and which should be destroyed. This is God’s universe and he is the master gardener of all. If you see ugliness in his creations, then you see ugliness in our Creator. Wake up. If we eliminate all colors in his garden, then what would be a rainbow with only one color? And what would be a garden with only one kind of flower? Why would the Creator create a vast assortment of plants, ethnicities, and animals, if only one beast or seed is to dominate all of existence?” ― Suzy Kassem, Rise Up and Salute the Sun: The Writings of Suzy Kassem
31138. “Things could change, Gabe,” Jonas went on. “Things could be different. I don’t know how, but there must be some way for things to be different. There could be colors. And grandparents,” he added, staring through the dimness toward the ceiling of his sleepingroom. “And everybody would have the memories.” “You know the memories,” he whispered, turning toward the crib. Garbriel’s breathing was even and deep. Jonas liked having him there, though he felt guilty about the secret. Each night he gave memories to Gabriel: memories of boat rides and picnics in the sun; memories of soft rainfall against windowpanes; memories of dancing barefoot on a damp lawn. “Gabe?” The newchild stirred slightly in his sleep. Jonas looked over at him. “There could be love,” Jonas whispered.” ― Lois Lowry, The Giver
31132. “I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads. It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.” ― Anthony Doerr, All the Light We Cannot See
25565. “And then there is that day when all around, all around you hear the dropping of the apples, one by one, from the trees. At first it is one here and one there, and then it is three and then it is four and then nine and twenty, until the apples plummet like rain, fall like horse hoofs in the soft, darkening grass, and you are the last apple on the tree; and you wait for the wind to work you slowly free from your hold upon the sky, and drop you down and down. Long before you hit the grass you will have forgotten there ever was a tree, or other apples, or a summer, or green grass below, You will fall in darkness…” ― Ray Bradbury, Dandelion Wine
25561. “After the keen still days of September, the October sun filled the world with mellow warmth…The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her…In October any wonderful unexpected thing might be possible.” ― Elizabeth George Speare, The Witch of Blackbird Pond
25557. “By now, at the end of a sloping alley, we had reached the shores of a vast marsh. Some unknown quality in the sparkling water had stained its whole bed a bright yellow. Green leaves, of such a sour brightness as almost poisoned to behold, floated on the surface of the rush-girdled pools. Weeds like tempting veils of mossy velvet grew beneath in vivid contrast with the soil. Alders and willows hung over the margin. From where we stood a half-submerged path of rough stones, threaded by deep swift channels, crossed to the very centre. (“The Basilisk”)” ― R. Murray Gilchrist, Terror by Gaslight: More Victorian Tales of Terror